Ideas, things I’m attracted to, and potential forms, tumble over each other in my mind as I work.  This process generates the unfolding momentum necessary for my work to begin and be sustained. The woven series continues in this vein of discovery.  What became immediately different with this group of work, was the introduction of the meshing of brass with steel; a technique that expanded the potential surfaces for patination while adding visual intrigue.  Gradually the work evolved to include the cutting of, then weaving back into the metal, forming a tactile texture, and a variation to the smooth fields of color and pattern.  While expanding upon my love of the amorphous forms and colors of the natural world, these pieces also integrate a more human element with the addition of geometric patterning.  My overall intention is to create landscapes of beauty and mystery that invite contemplation and reflection.
Within The Whole The Individual
2022,  30x30x2 inches, patinated metals on panel

A Golden Mesh Redo

2022, 21x18x2 inches, patinated brass/ steel on panel

2020  Warp And Woof Of Time 36x8x5 inches

2020 Twist Twirl Whirl 24x10x5 inches

Spun Out

2021, 17x10x4 inches, patinated copper and brass

Woven Memories of Times Long Gone
2019, 20x39 inches, steel/brass/copper/aluminum

In The Sea Of Life Entwined

2016, 38x18 inches, patinated brass/steel​​​​​​​

A Cobweb Of Stars

2016, 38x18 inches, patinated metals​​​​​​​

Midnight Threads Aglow

2018, 24x18 inches, patinated copper/brass​​​​​​​

From Where Dreams Are Woven

2018, 21x29 inches, patinated brass on panel​​​​​​​


2016, 34.5x24 inches, patinated steel/ brass​​​​​​​


2016, 24x26 inches, patinated steel/ brass


2016, 17 x 23 inches, patinated steel/ brass

These strips of metal were “painted” using layer upon layers of different substances. This process sets in motion an evolving “alchemy” of chemical activity, as I work and rework the metal. The patinas that result can include vibrate colors, such as orange or blue, or can be subtle: ghosts of previous marks are revealed as the patina is sanded back to bare metal. There is no guarantee on the outcome, too many factors are always in play, which adds to the mystery of this exciting, uncontrollable process. My choice of “substances” include kitchen staples like salt, vinegar, and baking soda, to cleaning products like bleach, or other agents such as sawdust, muriatic acid, and commercially produced metal patinas.
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